2:34 PM: it took me a few hours to get into painting mode. when i did, i worked on argolid, introducing the warm grey background color, more sketched in figures from above and the dark grey dots of color that appeared yesterday in yang.
"nude by the creek" transforms and is now "yang" /
1:53 PM : hard to keep up, eh? inspired by 17th c. chinese painting, nude by the creek has now become yang. a fold-out image from mai mai sze’s classic series of volumes gave me the path i’d been waiting for. figures from my menagerie of acropolis museum visitors integrate beautifully with the delicate patterning. a frog and a flying insect seem right at home with the meandering figures viewed from above.
i ran out of steam a little while ago, so i’ll pick up where i left off tomorrow morning.
tweaks to "acropolis V" / whiteover of "nude by the creek" / whiteover of “argolid” /
2:45 PM: i had about enough of all that bright blue in argolid, so i whited over it and started working into it. i cut my left index finger this morning with my new super sharp bread knife. i’ve got it all bandaged up but as soon as i take the bandage off to change it, blood gushes out. hoping it doesn’t need stiches…we’ll see tomorrow.
11:54 AM: i got an early start this morning, and was able to work on the same two paintings i was working on yesterday.
on acropolis V i made some minor improvements to the same jumping female skateboarder as yesterday. on nude by the creek, i whited over the entire painting, but with a thin enough layer of paint as to allow some of yesterdays version to peek through, giving the newly painted figures something to stand on. the white oil paint picked up some of the still fresh layer from yesterday, giving it a pinkish hue. the by now familiar figures of the acropolis museum visitors: the woman with the red bag and the couple are drawn in, with only suggestions of flesh tones.
continued work on "acropolis 5" and day 1 of nude by the creek" /
2:55 PM: i felt the jumping female skateboarder in acropolis 5 needed more work, which is how i spent my morning.
then i moved on to a new painting titled nude by the creek, 35x37”.
painting “argolid” over "PT with 2 paintings" & transforming “self portrait with 2 paintings” into “rhyton” 24x26” /
1:35 PM: RHYTON: i had intended to start a brand new painting this afternoon, but after gazing at self portrait with 2 paintings, 24x28” for a few days, since i created it 2 days ago, i decided that it, too had to go. so i worked over it with the same blue oil pigment i used this morning for the new argolid. confused? thats ok; if & when you encounter them in person, i think you’ll understand.
rhyton is the name for mycenean terracotta libation vessels. this one, in the shape of a bull, is from pseira, in eastern crete, 1500-1200 BC.
11:59 AM: i was just going to ditch the painted over canvas i was working on today, but then i got into a blu mood, and went over most of it with blue, adding some red and darker blue lines on the edges. i had to shoot it on the table from above, so that the fresh paint wouldn’t run.
something indescribable happens for me when i’m paining over a painting that was mostly in my head, simply moving the brush where it wnats to go. but that previous tortured version had to be in order to burst forth with these unplanned gestures, revealing themselves as they occur. and naming themselves ARGOLID. ARGOLIS, by the way, was the foremost seat of power of the myceneans that dominated greece from around 1500 to 1200 BC
and now on to something new, on a completely fresh, blank quadruple primed linen canvas.
pt with 2 paintings /
2:31 PM: i started pt with 2 paintings this morning, but i wasn’t happy with how it was evolving, so i scraped over it, painted into it a bit, and left it like this till tomorrow.
self portrait with 2 paintings, day 1 /
3:35 PM: i started a new painting this afternoon, which is painted over and older whited out one. it’s 24x26” and, so far is a self portrait with 2 recent paintings. that’s it for today…i’m still dealing with my in floor heating thermostat and may have found a solution from a sweet tech person names menzot, a name i’ve never encountered till today. she walked me through a series of steps for setting the thermostat at 70F. so if i come in tomorrow morning and it’s 70 degrees, i’ll know it worked!
flipping "jazz 16" 90 degrees /
3:29 PM: yesterday while gazing at jazz 16 hanging in our bedroom, it occured to me/us that it would be a far more interesting painting if it were turned on it’s side. here’s the result.
to the right you see how it looked before the flip. it’s still a pretty interesting composition, but now i/we find it more compelling.
today was one of those rare days when i didn’t paint at all. i spent the whole morning trying to figure out how to adjust the thermostat in my studio. it’s impossibly complicated, and all the tech guys i spoke to agreed. rather than try and adjust it so that it’s set lower at night and goes up to 70F during the day, i just set it for a constant 70F …her it worked..i’ll know in the morning wheter or not it worked. it was way chilly in there today, and was snowing all day.
tweaks to kabuki creek /
2:16 PM: i made a few minor tweaks to kabuki creek this morning.
continued work on KABUKI CREEK /
2:41 PM: and a bit more work on kabuki creek, including that siena i’m not sure about yet.
12:06 PM: this morning, and until a few minutes ago, i continued work on what used to be the original acropolis painting, which has become kabuki creek.
drawing from the considerable number of photos i’ve shot over the years of our local creeks, and from reproductions of tokugawa reimeikai’s handscrolls of women’s kabuki, ca. 1620’s-30’s, i’m creating a composition more suited to the 20x80”/ 50.8 x 203.2cm. dimensions of this canvas. i’ll see, following this brief break to post to my blog, whether there’s more to do. my juices start flowing and roiling when it involves rocks, branches and water.