this 72x28” painting of a taiko drummer hangs in our living room and is omne of our favorites.
exposed flight & celebration 6 whited over /
2:19 PM: 3 whited over canvases i’ll be working into during the coming week.
12:56 PM: i’m in an odd place right now with my work. i do something, like what i did yesterday, then the next morning i think it’s gross. so i proceeded to do one of my favorite things: the whiteover. never an opaque layer of white; thin enough to allow some underlying pieces of the composition to appear, faintly.
i won’t work back into them until they’re about 70 percent dry tomorrow morning, when, we hope, we’ll know the outcome of todays all important election.
day 3, "exposed flight" / REVISITING celebration 6 / yesterdays sky /
12:53 PM: exposed flight has once more become a vertical, as it was on day 1. i made a drawing of tree trunks using a warm brown color, adding deep blue water and a warm pink between the branches. this was, of course all inspired by a couple of print outs of my many creek photos. what peeks through is some of what i did yesterday, with the head of one of the two drummers, inspired by the photo i shot on the tv screen, of fred armisen. earlier, i had drawn lines in black compressed graphite, dividing the entire canvas into cubes, some of which can still be seen.
at the end of my painting day, i modified celebration VI, 16x18” which was last worked on march 25. below is the earlier version (left) and todays
day 2, "exposed flight" /
3:21 PM: exposed flight is now a horizontal, with two drummers dominating. one, a female taiko drummer, was inspired by photos i shot during a taiko celebratory event here in crestone.
after applying numerous collaged pieces of paper earlier, i flipped the canvas 90 degrees, which is when the drummers began to appear. my process may seem convoluted, but this is who i am. as i’ve said before, 6 decades of painting have lead me to this point, and all my lessons along the way lie beneath what i did today.
to be continued tomorrow. right now, the predicted snow is about to arrive, and i’m headed back to the house before it begins.
12:52 PM: i began collaging exposed flight this morning, enjoying the extra hour we gained this morning!
i flipped it 360 and am learning from the new perspective.
"exposed flight", 56x12" /
3:26 PM: yesterday i strated a new 56x12” painting: exposed flight. this is a very early stage, the two figures on the lower portion have appeared in earlier paintings and were inspired by two paddlers i saw from a bridge over the river in alamosa, colorado. i’ll pick up where i left off tomorrow morning.
stretching a new canvas / fayum study /
12:39 PM: today i’m stretching a 12x56” canvas in preparation for a new painting.
12:11 PM: this is a fayum study in oil on canvas, that i made a few decades ago in the british museum. it hangs now in our home.
sunset yesterday, looking West from our house
sunset in stages / creekscape, 2022 /
BELOW: top to bottom, left to right: 5:40, 5:47, 5:52, 5:54, 6:01, 6:08, 6:22 pm
1:58 PM: last week, rummaging around in my studio storage space, i came across this creekscape, painted in 2022, during a period when i was regularly going to make small gouaches & watercolors at one of our creeks. the collaged element on the left is critical to this composition, the rest of which is painted in the earth tones that characterize much of my work; especially the paintings i made in greece, from 1963-1978.
further work on "windfall light" / yesterdays sunset /
2:40 PM: one of the paintings i worked on yesterday, windfall light, 16x29”, was interesting but i was not satisfied with it this morning upon entering the studio. so i went back into it, with some strong colors on the left. it remains to be seen what more i may do to it tomorrow.
BELOW: windfall light as she looked yesterday and today
BELOW: 3:17pm, yesterdays sunset at 5:51 pm. later that night the wind picked up and is still gusting to 40mph, with cloudy, threatening skies & some rain a few hours ago.
“spinning place” / “windfall light” /cloudy windy day /
3:41 PM: i found another painting in my storage room that i felt needed work. it was originally a painting inspired by the studies of the creek i had been doing extensively about 10-15 years back.
i felt it had passages that were begging for some strong colors, so i launched in. the title: spinning place, as with windfall light, which i spoke of earlier, comes from fern hill, a poem by dylan thomas, who was a favorite when i was a teen.
12 noon: yesterday, in addition to the modifications i made to ano kato renewed 1, i worked on a 16x29”painting that had been whited over, which mikela found in my storage room last week. it has no date on the back. i began by making a drawing in dark brown oil, along with some faux chinese stamps in red crayon.
inspired by works by 14thc. chinese artist wang meng, it hints at a rocky landscape with trees and leaves the rest to you. it’s titled windfall light, a phrase i discovered in the dylan thomas poem fern hill.
11 AM: today started out as a partially cloudy morning with increasing clouds and possible rain/snow tonight predicted. here’s the word from our local forecaster, keno:
ano kato renewed 1 / no longer going on facebook / paintings in the studio /
2:37 PM: i’m in a space where i like choosing older paintings that i feel could be better and painting over them. this one, from my ano kato series, https://www.philiptarlow.com/anokato is now titled ano kato renewed 1. the only part remaining as it was is the figure of a man in a plaid shirt, walking. he is now ensconsed in a multi colored composition of blues, yellows, pinks, blacks and greens, which evoke plant life without actually describing it.
11:55 AM: these are some paintings currently on the long table beneath my north facing windows. they include: 5 recent collages; 1 study of a gorky painting made in 2017 and a study in oil of a vermeer painted in 2016. i’m in a space where i’m taking stock of my work over the years and getting a feel for where i’m at currently.
11:32 AM: i’m no longer using facebook, although i haven’t deleted it yet. it takes up too much of my precious time,
so now i’m gazing at celebration 27 following the modifications i made yesterday. it’s kind of compelling, so i think i’ll move on to something else and see how i feel about it later.