gained vision III 80x20”/203x59cm. as it looked before (left) and after the modifications i made this morning
12:32 PM: today marks a turning point in the evolution of gained vision III. i say that because i finally painted over a few areas on the very top & bottom of this tall, narrow canvas (80x20”/203x59cm.) which have, as i’m gazing at it right now, allowed it to sing it’s song.
gained vision III, 80x20”/203x59cm. BEFORE and AFTER today’s changes
1:20 PM: i gingerly did some work on gained vision III, taking care not to disturb the delicate balance. here are the 3 areas i worked on.
in the first image, the circular area on the right, in yellow ochre with white dots is new.
in the the central image, the flower to the left of the figure in plaid is new.
and in the image on the right, the solid, horizontal bar of red has been broken uo by a continuation of the white curved form, which is actually a tree branch at the creek, surrounded by blue water with white bubbles.
10:52 AM: i’m just strtaing work on gained vision III and will post updates as they become available. it’s a delicate balance, but that can’t keep me from making bold marks.
1:36 PM: as i’ve said a few times, i’m taking it very slow on this one. ever since i whited over it and it took on that faded, ghost-like appearance, i’ve had the strong desire to maintain that quality. but it was too far in that direction and needed some level of detail.
so today i’m focused on the bottom quarter of the composition, which i’ve already scraped into, uniting it with the upper quadrant.
i’ll keep going till the jiuce runs out, probably around 3pm.
1:48 PM: i got a late start today because it was creek walk morning. there were fewer mosquitoes, but we were glad we had our netted mosquito jackets!
i was inspired to do more work on gained vision III, mostly on the upper portion of the composition. i like what happened, and would continue but it’s hot and i’m tired from our creek walk, so i’m going to stop for the day.
looking at gained vision III tacked to my east studio wall next to II, even though III is still in process, there’s a distict difference. II is sharper, more focused, more descriptive. III is softer, with the distinctive colors more integrated in to the whole. i’m not making a judgement here, just an observation of my process and how it’s shifting, starting with the modifications i made yesterday to jazz 16.
one could say of II that there are two distict focuses of attention in the composition: the japanese figure in red & the walking figure in plaid, in the upper segment. and in III, the japanese woman in red is a part of the composition, with it’s diverse patterning and softer colors.
i should be more rested tomorrow morning, and able to spend mor etime on this one.
2 PM: a little over an hour ago, i shifted my attention from jazz 16 to gained vision III, part of which i had whited over 3 days ago. i did some work on the face, hair & upper body of the japanese woman in red, and then softened it by blotting before stopping for the day. i love that it’s softer and more atmospheric than the two preceding it, so i’m taking it very slow.
gained vision III following the work i did today
DETAIL: gained vision III following today’s work
12:29 PM: a few days ago, i went back into jazz 16, 35x37”/94x89cm.,replaing the skateboarder with a different figure. i wasn’t happy with it, so today i made some radical changes in the entire composition, perhaps influenced by the direction that my new gained vision series, which is at an early stage, but contains elements i’d like to fold into some of the jazz series paintings.
most of the jazz series work, with some exceptions, consists of figures in motion, on a solid grey or white background. so now, as you will see from the comparative before and after photos, the space is broken up by playful curviliniar shapes combined with blocks of solid colors with mostly geometric shapes. so that curves and streight lines co-exist in a fashion that challenges the viewer’s eye to take a journey. hints of miro and diebenkorn are present, but the full impression reflects a journey through my six decades of mark making, with an emphasis always on the unpredictable.
jazz 16 following the work i just did today
jazz 16 as it looked on june 19
3:20 PM: today i unexpectedly divided my time between gained vision III and jazz 16.
gained vision III: i flipped it 180° again, so that the figure in red is now once again right side up and in the top half of the composition. i whited over the pompeiian fish mosaic-inspired stuff i did yesterday band placed my favorite walking figure from above, with his blue plaid shirt, in the lower quadrant.
as i worked on it, i happened to be standing right in front of jazz 16, which is tacked to my east facing painting wall. the black top and the fuzzy face on the jumping female skateboarder had been bugging me ever since the last time i worked on this painting. so, between strokes i was making on gained vision III, i painted over her black top, replacing it with her bare breasts. as well, i reworked her head, hair, arms & legs. i’m going to post the before and after, and i think you’ll agree that it works much better compositionally, but it also stirs the imagination to view a bare breasted skateboarder.
gained vision III now reads, from a distance , as an incomplete but compelling image, the figure of the japanese woman in red, while still pale from having been whited over, gives the painting an air of mystery. i’ll have a choice tomorrow, just how much to accent certain passages and which ones to leave alone. it’s a huge relief to have gotten rid of the fish, which i realy wasn’t that into.
7:12 AM: before my morning meditation, i wanted to post this 2022 oil, which now hangs in our living room. if you look carefully, you’ll discern that this painting, while seeming abstract, is actually figurative abstraction. see how many human or animal forms or parts you can find.
BELOW: 2 details of the painting
12:52 PM: this morning when i did my firsr glance at gained vision III while having my breakfast, i was bored and disinterested. never a good sign!
so i laid it out on my painting table & went over the whole thing with a diluted white oil paint, then in imagined defiance, i tacked it upside down to my painting wall.
i jumped right in, riffing on a pompeiian fish mosaic that has appeared in earlier paintings. my palette of greens, yellows, siennas & muted blacks gives it, at this stage of development, a wonderful fluidity, helped greatly by the whited over ghost images beneath. it never fails to amaze and delight me, and of course it’s not something you can anticipate as you’re diligently working on what will eventually become a ghost.
you can’t plan to be in your groove, but, as i’ve said many times, when you are, you better recognize it and take advantage!
with hte ever growing mid day heat, i get tired earlier & need to go lie down with my honey. next week the temperatures will climb to the low 90’s; rare but not unheard of for crestone, which if you recall is at 8,000 ft. where we live in the baca grande.
gained vision: this is the detail of the top quarter of the composition
gained vision III, 80x20”/203x51 cm., as it looked at the end of my painting day today
lower portion, gained vision III, after my end of day scrape at 4pm
gained vision III 80x20”/203x51cm., oil on portrait linen as it looked today at the end of my painting day
3:12 PM: after going for a great creek walk thi smorning, i arrived at the studio about 10am and renewed work on gained vision III.
we were hesitant about walking up the trail after reading a ost by a friend who lived furtherout in the valley, about how bad the mosquitoes are this season and how they were biting right through her wool socks. but we flipped a coin, which said we should go. we wore our netted mosquito jackets, and even though there were a lot of them, we didn’t get bitten. so now we’ll be resuming our usual schedule: every other day.
i worked solely on the lower portion of gained vision III, adding the figures of two dancing woman from the cloding ceremony/celebration of the 2020 olympics. this is not the first time i’ve made them part of a composition, and very well may not be the last.
5:38 PM: as usual, seconds before exiting the studio to run into town & shop, I did a scrape over the area i worked on today.
this morning over breakfast, i read this superb quote about matisse, by john elderfield in the catalogue from the 1992 retrospective at MOMA
gained vision III, 80x20”/203x51 cm. as she looked at the end o fmy painting day today.
1:50 PM: i continued work on gained vision III, and stopped just a few minutes ago, mainly because i was tired & didn’t want to do any more until i’m fresh, tomorrow morning.
right now, she is looking a lot like her sister: gained vision II, but that won’t last long. although the figure of the japanese woman in red may remain, the composition will be different, and incorporate what i learned on the previous one. right now, the red of her garment has two tones, due to the fact that i used oil pastels for the upper reds and oil paint for the lower, brighter red.
it’s hard to move this very fine unstretched linen from the work table and tack it to the wall, which is why you see those wrinkles on the bottom half. once she’s completed and stretched, they will dissapear.
at work earlier on the upper portion of gained vision III
12:15 PM: i resumed work on the new gained vision III a little while ago. it’s still very early stage.
DETAIL of stage 1, gained vision III, 80x20”/203x51cm. , oil on portrait linen
3:19 PM: now that gained vision II is singing it’s song, i strtaed work on a new one: gained vision III, which has the same dimensions: 80x20”/203x51cm. for now, it has only a touch of color & is mostly a colored pencil drawing, so tomorrow, sunday it will begin to blossom.
