vyd zverkhou II, 24x26" oil & collage on linen, following todays work
pulse 6x9" mixed media on paper
1:23 PM: after starting work on another small piece this morning, i’ preparing a second whiteover of celebration 26.
vyd zverkhou II, 24x26" oil & collage on linen, following todays work
pulse 6x9" mixed media on paper
1:23 PM: after starting work on another small piece this morning, i’ preparing a second whiteover of celebration 26.
fall, 7x5.5” watercolor & collage on arches paper, as she looked moments ago
3:07 PM: making the studies on paper for hoo over the past few days put me in the mood to make more small works on paper. i spent the entire day on this little guy, but i feel it was well worth my time.
she has a clear, melodic voice filled with optimism and hope. kamala, you might wonder? the more obvious passages were collaged over. we watched a new tv series last night, which reminded me how deadly the obvious can be. it actually gave me nightmares!
4 PM: hoo: study #3, 18x6.75” on paper
2:23 PM: i’m currently work ing a third study for hoo.
3 hoo studies on paper, 18x6.75" and the larger one, 48x18" in oil & collage on linen
one full size (48x18” oil) and two small studies in gouache/oil pastel/collage on paper for the denver collector
6 PM: over the last few days, i’ve been working on creating a companion piece for a denver collector who purchased one of my 2014 paintings last week. this collector would like one more painting the same size as the one she purchased: 48x18”
i kind of did this backwards (not unusual for me) and first made a full size painting, which i felt good about. then i began deeling i could do something a bit closer in composition and color to the one she purchased.
3:13 PM: i wasn’t satisfied with HOO, the 48x18” oil i made yesterday. so i’m reversing the usual process of making a study or series of studies followed by the painting. i made a small study in gouache & collage on paper, and will likely make a few more before making a new version of the larger painting on linen.
study for hoo, 17.5x6.5” gouache & collage on paper
7:46 AM: this museum interior gouache was painted in 2014 and is one of our favorites. it’s magical in person.
3:01 PM: i made a few chnges, which i think makes the painting easier to read. here’s how she looks at the end of my painting day today.
hoo, 48x18” oil & collage on linen, as she looked at the end of my painitng day
1:49 PM:this is day 2 of this new painting, now titled hoo, painted for a client of the denver gallery where i’m represented. i may simplify a bit.
3:39 PM: i started HOO today. to be continued tomorrow.
meshuggeneh 48x18” oil on linen, day 1
6x8” watercolr i made this morning
7:28 PM:before getting to work on celebration 26, i made another 6x8” watercolor, with a tiny bit of map collaged on the left
celebration 26, 36x36" after removing the black i added earlier today. better, eh?
6:37 PM: mikela walked over to the studio late this afternoon to have a look at the newly blacked over celebration 26. she pointed out, accurately, that the sensitivity of the painting had been lost. she’s got such a good eye!
i spent about an hour scrubbing off the fresh black oil paint with some old washclothes soaked in a solvent. and here she is.
celebration 26, 36x36” as she looked after blacking over 2/3 of the composition
1:40 PM: there was too much white in the composition. the dramatic figures were getting lost. so i mixed up some black oil paint, attached it to my trusty long stick and began painting black around the figures. when i got about 3/4 of the way down, i stopped. and then i took one of my spatulas and scraped 3 vertical tree trunk-like marks vertically down into the black.
i had 2 fans on high to avoid breathing in the toxic fumes, and i think it worked.
i can’t hang it till it dries a bit to avoid drips, but on first glance, i think the black works, and as a result it’s a far more powerful painting.
celebration 26, 36x36” following today’s drawing with oil pastel
4:40 PM: i’ve been gazing at celebratoin 26, which is hanging on my east facing studio wall, and contemplating doing more to it, since that central white area seemed too empty. so i went in with an oil pastel and made a creek landscape drawing, with rocks & branches.